It was realized from live captures of the shows « Résonance » (piano, double bass, hurdy gurdy and electroacoustic composition), « Trio Hurdy Pop » and « Quatuor Hurdy Pop - Itinéraires » and from recordings of artists, instrument makers and elector-acoustical composers.The hurdy gurdy is an instrument still little known despite its millenarian history, its different repertoires and its rich musical and creative potential.
It was realized from live captures of the shows « Résonance » (piano, double bass, hurdy gurdy and electroacoustic composition), « Trio Hurdy Pop » and « Quatuor Hurdy Pop - Itinéraires » and from recordings of artists, instrument makers and elector-acoustical composers.The hurdy gurdy is an instrument still little known despite its millenarian history, its different repertoires and its rich musical and creative potential.
It is proposed by The Cie Grain de Son and Laurence Bourdin. However, current possibilities for sound amplification and treatment have already shown that it is a real rhythmic and melodic instrument adapted to contemporary musical creation.For nearly 20 years, the hurdy gurdy player Laurence Bourdin has performed old, current or multicultural music on the 4 continents for different groups (Vieillistic orchestra, Cie Montanaro, Cie Koubi, ARFI...). Contactez-moi pour échanger sur votre projet viellistique ou venez visiter mon atelier.Installé à Vauban, en Saône et Loire, Jean-Paul DINOTA fabrique des vielles à roue depuis 1990. It is proposed by The Cie Grain de Son and Laurence Bourdin. All the artistic disciplines benefit from each other to find new sounds and writings. Thanks to these encounters, she began to explore musical capacities of her instrument, trying to find a contemporary composition for the performing arts. However, current possibilities for sound amplification and treatment have already shown that it is a real rhythmic and melodic instrument adapted to contemporary musical creation.For nearly 20 years, the hurdy gurdy player Laurence Bourdin has performed old, current or multicultural music on the 4 continents for different groups (Vieillistic orchestra, Cie Montanaro, Cie Koubi, ARFI...). In 2006, she decided to create the Grain de Son company to promote and broadcast elector acoustic hurdy gurdy. The DVD Essai[s] Electroacoustique[s] pour Vielle[s] à roue is both a musical piece of work and a documentary to discover for the first time or not the musical possibilities of the hurdy gurdy. La passion pour le bois et la vielle à roue.
In 2006, she decided to create the Grain de Son company to promote and broadcast elector acoustic hurdy gurdy. In her creations, she mixes this instrument with poetry, audiovisual art and dance. It was realized from live captures of the shows « Résonance » (piano, double bass, hurdy gurdy and electroacoustic composition), « Trio Hurdy Pop » and « Quatuor Hurdy Pop - Itinéraires » and from recordings of artists, instrument makers and elector-acoustical composers.The hurdy gurdy is an instrument still little known despite its millenarian history, its different repertoires and its rich musical and creative potential. Installé à Vauban, en Saône et Loire, Jean-Paul DINOTA fabrique des vielles à roue depuis 1990. Thanks to these encounters, she began to explore musical capacities of her instrument, trying to find a contemporary composition for the performing arts. It is proposed by The Cie Grain de Son and Laurence Bourdin.
The DVD Essai[s] Electroacoustique[s] pour Vielle[s] à roue is both a musical piece of work and a documentary to discover for the first time or not the musical possibilities of the hurdy gurdy. All the artistic disciplines benefit from each other to find new sounds and writings. À propos du porteur de projet La Cie Grain de Son a été créée en 2006 pour la promotion et la diffusion de la vielle à roue électroacoustique, dans une écriture musicale d'aujourd'hui, entre composition instrumentale et recherche sonore. All the artistic disciplines benefit from each other to find new sounds and writings.The DVD Essai[s] Electroacoustique[s] pour Vielle[s] à roue is both a musical piece of work and a documentary to discover for the first time or not the musical possibilities of the hurdy gurdy. La vielle à roue apparaît au Moyen Âge, dès le IX e siècle. In her creations, she mixes this instrument with poetry, audiovisual art and dance. In her creations, she mixes this instrument with poetry, audiovisual art and dance. However, current possibilities for sound amplification and treatment have already shown that it is a real rhythmic and melodic instrument adapted to contemporary musical creation.For nearly 20 years, the hurdy gurdy player Laurence Bourdin has performed old, current or multicultural music on the 4 continents for different groups (Vieillistic orchestra, Cie Montanaro, Cie Koubi, ARFI...). It is proposed by The Cie Grain de Son and Laurence Bourdin. Innovateur, il crée différents prototypes de vielles électroaccoustiques mais reste très attaché à la facture des vielles traditionnelles.