“It’s fairly clear that the worry is not whether Cobb is in the real world or someone else’s dream,” he says. DiCaprio and director Christopher Nolan on the set of Inception The 2010 film follows a group of thieves who use experimental technology to infiltrate and steal from people’s subconscious minds, but in doing so risk losing touch with reality. The latest offers and discount codes from popular brands on Telegraph Voucher Codes The veteran British actor told the audience in London: “When I got the script of Inception, I was a bit puzzled by it.

It would be useless as a signifier of reality.Mulhall’s observations seem to wreck both the pleasure and the significance of the ending. No one but the owner knows its distinctive property, which means that no one else’s subconscious will be able reproduce it accurately. What do insignificant distinctions like dreams and reality matter when happiness is at stake? At the end, we cut to black just as the top seems on the point of falling over – but does it? It gives the owner an instant reality-check. For what it’s worth, I disagree – Christopher Nolan does not have a PhD in philosophy Either way, it’s more interesting to consider the second possibility. “The subject’s mind can always chase the genesis of the idea,” proclaims Arthur (Joseph Gordon-Levitt), Cobb’s criminal partner, in an early scene. In the final scene he has no ring so the ‘happy ending’ is reality.”The Reddit user also attached a series of screengrabs from Inception, some of which, taken from scenes which are known to be dream sequences, showed him wearing a gold wedding band.The others, from the scenes set in reality, showed his finger bare.In addition, Michael Caine previously let slip that Nolan had told him categorically that the end of Inception was reality.Inception movie meaning: There's one big clue about the truth in the film Inception movie meaning: Leonardo DiCaprio wears a wedding ring in some scenes and doesn't in others Once Upon A Time in Hollywood cut: Why was Charles Manson scene cut?Speaking at a screening last year, according to The Independent, he told the crowd: “When I got the script of “I said, 'When is it the dream and when is it reality?'

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)“But anybody with half a brain who constructs a dream they want to fool you into thinking is reality would not put an endlessly spinning top in it. His work on the philosophy of film, and Inception in particular, calls into question our assumptions about the film and its ending.The problem with the ending, Mulhall tells me by phone from Oxford, begins with the function of the spinning top. “The reality of other people in Inception is absolutely undeniable,” says Mulhall. How and why Inception‘s ending works, whichever side of the debate you fall on (if Cobb is dreaming or not); and; What we can learn from Inception to make us better story-writers. Lastly, I really hope you enjoyed this film review – Inception. Zoom, the horror movie: how the Brits behind Host made a chilling lockdown masterpiece The questions apparently posed by the ending, personified in the character of Cobb, are those of the traditional philosophical sceptic: “Is this world real? You need to be a subscriber to join the conversation. “It’s a vision of the world in which other people’s minds constantly invade your own.” Stealing intellectual property via dreams is, after all, how most of the characters pay the bills. The final shot’s teasing refusal to tell us what happens is no longer any fun because we already know the answer – the top must fall – and this knowledge is rendered pointless because it has no bearing on the issue we care about, namely whether Cobb is in the real world or his own private Disneyland.Luckily for Inception fans, having torn the film’s value to shreds, Mulhall now proceeds to put it back together.

Since the release of the film, which has returned to cinemas this week, the director has always maintained that the answer doesn’t matter.
Is Cobb (Leonardo DiCaprio) in the real world, his subconscious, or someone else's?

How can I be sure I’m not dreaming?” But with the recognition that Cobb’s totem has no bearing on whether or not he is dreaming, that it can only tell him (and the viewer) if he is in someone else’s dream, comes a different kind of scepticism. Stephen Mulhall, professor of philosophy at the University of Oxford, certainly thinks so.